The Kata
OMOTE
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CHUDAN
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RAN AI
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- Tachi Otoshi (太刀落)
- Tsuba wari (鍔割)
- Tsuki Zue (著杖)
- Hissage (引下) – Short sword
- Sakan (左貫)
- Ukan (右貫)
- Kasumi (霞)
- Monomi (物見)
- Kasa no shita (笠の下)
- Ichi rei (一礼)
- Neya no uchi (寝屋内)
- Hoso michi (細道)
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- Ichi riki (一力)
- Oshi zume (押詰)
- Midare dome (乱留)
- Ushiro zue (zen)/(go) (後杖) –
Two variants
- Taisha (待車)
- Kengome (間込) – Two-sword kata
- Kiri kake (切縣)
- Shin shin (真進)
- Rai uchi (雷打)
- Yokogiri dome (横切留)
- Harai dome (払留)
- Seigan (清眼)
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Ran ai odachi (大太刀)
Ran ai kodachi (小太刀)
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KAGE
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SHINTO RYU
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UCHIDA RYU TANJO
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- Tachi otoshi (太刀落)
- Tsuba wari (鍔割)
- Tsuki zue (著杖)
- Hissage (引下)
- Sakan (左貫)
- Ukan (右貫)
- Kasumi (霞)
- Monomi (物見)
- Kasa no shita (笠の下)
- Ichi rei (zen)/(go) (一礼) – Two
variants
- Neya no uchi (zen)/(go) (寝屋内) –
Two variants
- Hoso michi (細道)
|
- Aisui Sa
- Aisui Yu
- Ju
- Chibarai
- Sarin
- Uke Nagashi
- Nito Ai
- Suri Komi
- Inchu
- Uke Kaeshi
- Miuki Dome
- Tsuki Dashi
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- Kote uchi hidari
- Kote uchi migi
- Suigetsu hidari
- Suigetsu migi
- Shamen hidari
- Shamen migi
- Kuritsuke
- Ushiro zue
- Sutemi
- Kobushi kudaki
- Sune kudaki
- Irimi
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The history of the Sei Do Kai: Jodo
This is not an accurate history, it's the type of thing that I
would tell a class, absent any notes. There are plenty of
resource materials listed on the
https://seidokai.ca/
website so I would invite you to visit there.
Here is the story of the origin of Shindo Muso Ryu jodo, the one
I tell in Jodo class. This story is a bit different in the Niten
Ichiryu classes but that's hagiography for you. Muso Gunnosuke
was a big man, and a great martial artist of the Shinto ryu who
used a bo, or a large bokuto. One day Muso visited Miyamoto
Musashi and requested a match. Muso was defeated by Musashi who
used his famous juji dome, cross block, with his two swords.
Muso went away and meditated on a mountain where he was visited
in a dream by a small boy who told him to look for the heart of
the oak. Muso woke, cut his bo down to 4 shaku (about four feet)
and went back to meet Musashi again, this time Muso beat Musashi
and from there he founded the Shindo Muso Ryu which was taught
in Fukuoka ever since.
The other story, the one for Niten class? Muso asked for a fight
and Musashi declined, when Muso pulled a four foot bokuto from a
bag and attacked, Musashi, who was carving a child's bow at the
time, rose and drove Muso back against a wall where he then
tapped Muso lightly on the head. Muso went away and invented
Shindo Muso Ryu jojutsu. Musashi was never defeated, and the
story of Muso winning the return match is only found in a single
temple scroll. It is not corroborated.
Hey, all this happened 400 years ago and there are stories that
Muso and Musashi were friends, they both lived for a long time
on Kyushu.
There is remarkably little information on Muso, compared to
Musashi, but his school is alive today. Jodo is not terribly
popular compared to other arts, but its inclusion in the Kendo
Federation has helped keep it healthy. The figures I heard one
time were 3 million kendoka, 300,000 iaidoka and 30,000 jodoka
in the ZNKR.
Jodo was practiced in Fukuoka by the lower ranked samurai, the
ones who would go out in the evenings and keep the peace, think
of sending the drunken upper level Japanese off to their wives.
You want a weapon that can control a sword without killing, and
the jo was that weapon. Jodo was part of what was called the
Men's Arts, (Dan-I?) which were taught in three dojo in what was
then the Kuroda han. The three dojo gave rise to three lines of
practice, with their own licenses. These dojo also taught rope
tying, jutte, sword, and the sicle and chain (kursari gama). Not
always the same ryu in each dojo. Eventually, in the Meiji and
Taisho periods these three lines came down to a single lineage
under Shiriashi Hanjiro.
Mostly the art stayed in Fukuoka, although around the turn of
the century (1900) a man named Uchida Ryugoro went to Tokyo and
taught many people, including Nakayama Hakudo, a very famous
swordsman. Uchida took the western walking stick, which was very
popular during this period of westernization, and created what
was eventually called the Tanjo Jutsu. These associated arts
have been kept with the main art.
Shiriashi Hanjiro taught many people, and when he died Takayama
Kiroku took over the dojo. During this time Shimizu Takaji moved
to Tokyo, and began to teach jodo to the police there. When
Takayama died, Otofuji Ichizo took over as the headmaster of the
line in Fukuoka.
These two lines, Tokyo and Fukuoka have drifted a bit apart in
their styles, but not so very much, in my opinion. I invite my
students to look at the jodo of Nakayama Hakudo which you can
find on Youtube if you wish to investigate how different SMR can
be, while being in the same lineage.
The jodo practice in the Sei Do Kai comes from Kim Taylor so
here is his story:
The first jodo I studied was in Aikido, and at one time I
received a book by Pascal Krieger on SMR from John Prough of
NYC. Some of the Aikido students practiced the kihon (basic
movements) from that book for a while. Eventually I attended an
iaido seminar in Baltimore taught by Suzuki sensei and Oumi
sensei where I was introduced to formal training in SMR and the
Kendo Federation Jo. At that time I agreed to practice Kendo
Federation Jo to introduce it to the CKF. I did not wish to
learn a third koryu (SMR) because I already practiced two
others, Muso Jikiden Eishin Ryu and Niten Ichiryu. I practiced
for a short time under a fellow who does not want to be named,
and then Haruna sensei brought Ide sensei to a Guelph Spring
Seminar. Ide sensei (hachidan jodo) taught us for that seminar
and then told us that he would send us his teacher, Namitome
Shigenori. From that point we have practiced with many of the
top jodo instructors of both Tokyo and Fukuoka. They have sat
our grading panels for Kendo Jo, and have, over the years,
taught us both Tokyo and Fukuoka styles of koryu. At the
present, we are under the direction of Kurogo sensei, the
current head of the Jodo committee of the ZNKR. During these
many years we have been taught the Tanjo Jutsu by the senseis
Eto (mother and daughter) and Namitome sensei. We were also
taught Shinto Ryu by Namitome sensei and Shinohara sensei.
In the Sei Do Kai we currently practice the Tokyo style under
Kurogo sensei. Our lineage would be a bit difficult to write
down, we come through both Otofuji sensei and Shimizu sensei.
Suffice to say our main direction is from the Kendo Federation.
In Canada we have several lines of koryu which exist now, but we
are all linked through the CKF and Kendo Federation Jo (Seitei
Jo).
Our jodo gradings come through the CKF, and Kim Taylor is the
long-time Chief Examinar for Jodo. We have mostly been
self-sufficient in funding, holding our gradings when seminars
were available to finance the travel of judges. Our senior
gradings must be done with judges from Japan and Europe and this
is expensive. In order to finance these gradings we have
organized the Canadian Jodo and Iaido Fund, supported mostly by
donation from the senior iaido and jodo instructors of Canada,
and most recently Jodo Canada, an organization to raise money
for Jodo by membership and by offering national kyu gradings in
areas where access to the seminars is difficult.
There is no grading system for SMR jodo in the Sei Do Kai. We
practice to learn.